“My father had me dancing at age 3, taking ballet, jazz, gymnastic and tap classes,” De Guzman said in a phone interview from New York City. “He had us trying anything and everything. He taught us to be well rounded.”. As a young boy, De Guzman didn’t like dancing — until the boys who used to tease him started to think his acrobatic flips, hip-hop tutting and balletic tricks were cool. “I realized I could do things other people couldn’t do,” he said.
“I think we need to find ways to update the experience, without losing the things that make classical music so special and so sacred.”, In that sense, “Living Language” is aptly named, As he was composing it, Visconti said he was delving into ancient Sanskrit and medieval chant, “I wanted to highlight the idea that music really is a living language,” he said, “It’s not set in stone, it evolves over time, We’re always changing, always updating essie's ballet slippers since 1989 it, That’s how I like to think about classical music — that even though it might not always look like it, it’s very much alive.”..
But the point of the scholarship is to break down barriers with the audience, so that rather than hearing a museum piece, listeners experience an enthralling sonic journey “that’s moving and interactive and surprising,” says Lloyd, a Walnut Creek resident. “We want to make it relevant and alive.”. A highly respected vocal teacher, Clark drew on her students for the first incarnation of Vajra Voices. Most of the current members have also studied with her, which “isn’t required, but I work in a different way,” she says, mentioning the deep influence of the celebrated early music ensemble Sequentia and her operatic training at Indiana University. “I prefer a more full-bodied sound from my group. I want the singers to really embody their voices rather than blend in.”.
That punch is still evident throughout the galleries at the de Young, whose director, Max Hollein, describes Davis as “one of the giants of American modernism.” As much as Davis’ style has been absorbed in modern art over the years, there’s nothing like the power of the original, ‘Creativity on the Line: Design for the Corporate World, essie's ballet slippers since 1989 1950-1975′Through: Aug, 21; 11 a.m.-5 p.m, Wednesday-Monday, to 8 p.m, Thursday.Where: Cantor Arts Center, Museum Way off Palm Drive, Stanford UniversityAdmission: Free; 650-723-4177, museum.stanford.edu..
“How many of you are here for the first time?,” the founder and executive artistic director of SFJazz asked before a recent concert featuring two rising Cuban piano stars, and several dozen arms shot into the air. “And how many of you are SFJazz members?” About a fourth of the audience raised a hand. As SFJazz kicks off its fifth season tonight in the glorious $64 million center in Hayes Valley, there are any number of impressive statistics that speak to the organization’s success. There’s the enviable track record of sold-out concerts, with ticket sales upward of 90 percent capacity.
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